LITTLE MISFORTUNE CHARACTERS FULL
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The media has a huge influence on the general public. They should be celebrated as individuals, thereby repudiating the misogynistic mind-set in the society. We really need to improve the quality and standard of the plays being churned out by these channels and air plays that show the positive attributes of women and highlight their strengths. This mind-set has to change and the media can play a role in this. It is high time that we start celebrating our women, treating them as individuals in their own right and not consider them the children of a lesser God. She rambles on about how it is a great misfortune not to have a son. In Habs, the mother repeatedly bemoans her status as a widow and her three daughters. How is it that they agree to portray such lacklustre characters with little self-esteem and refuse to take no for an answer, rather than insist on portraying strong characters? Nearly every play portrays daughters as a burden and sons as a blessing. This calls into question the integrity and prowess of some female actors as well. Also, it appears that the female characters in these television serials have no qualms about running after married men and are willing to go to any lengths to get what they want. Many are willing to believe anything they are told. Most of the men in these plays are painted as spineless and cowardly.

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Mothers-in-law are depicted as monsters and the daughters-in-law as shy, retiring creatures, expected to endure everything that comes their way because they exercised their right to marry of their own free will. A lot of people apparently enjoy watching stereotypical and clichéd characters, painted in black and white.

Such stereotypical characters quickly lose their charm because they are downright monotonous and extremely predictable. She loses no opportunity to demean and criticise her daughter-in-law, having opposed her son’s marriage to her. The mother-in-law in Antul Hayat is a character straight out of hell. This calls into question the integrity and prowess of female actors as well, and how they often agree to portray such lacklustre characters with little self-esteem and refuse to take no for an answer, rather than portraying strong characters. This was obviously intended to defame her. Her diamond necklace goes missing and the receipt for it is discovered in her step-daughter’s room. How can a normal individual hate another so intensely for no apparent reason or for a reason that appears to defy logic? The stepmother in Woh Pagal Si is similarly hell bent on destroying the father-daughter relationship because she dislikes her step-daughter. The scene is quite shocking and makes one wonder how the censors approve scenes depicting physical violence. In a particular scene, a mother-in-law in Guddu physically assaults her daughter-in-law. Many of these revolve around women hatching conspiracies, eavesdropping shamelessly and spewing profanities. They are reported to be very popular and enjoy nationwide viewership. Plays like Woh Pagal Si, Antul Hayat, Guddu and Mushkil are on air every single day. Is it the influence of the media or is the media only reflecting what is happening in society? Is this what garners TRPs and do most women thrive on the kind of rubbish being churned out in the form of television serials, especially those aired before prime time? A large number of women often find reprieve on Facebook groups as that is the only place where they can rant about their toxic mothers-in-law and how their spouses are unduly influenced by them.

Rather than disseminating a positive image of women, these plays promote a regressive mind-set where women are always portrayed as being at an inherent disadvantage due to their gender. Some plays also glorify increasingly materialistic tendencies, showing women characters that are plotting to get rid of their daughters-in-law and marrying off their sons to some rich girls who live in palatial bungalows and can boast of huge bank balances. The dialogue is cliché-ridden and the characters portrayed are extremely one-dimensional. There are mothers-in-law hatching conspiracies and making life miserable for their daughters-in-law. Many plays on television promote and reinforce misogynistic mind-sets. Much of the electronic media, meanwhile, is not playing a positive role in this regard. This begs the question, is social media responsible for highlighting social evils in society that would previously go unnoticed? Or is it creating more awareness and urging individuals to take action?

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Print, electronic and social media are full of stories about the increasing levels of aggression in society on a daily basis. Iolence against women and children is on the rise.

Little misfortune characters